Reality Hacking No. 171, Museum for Concrete and Constructive Art, Zurich, Switzerland, 13 November 1999 – 16 January 2000
Temporary installation with 24 wall clocks designed by Max Bill in 1957 in 6 groups of 4 and the poem Sunstone by Octavio Paz from 1957 written on the opposite wall. Microphones mounted behind the clocks sent the ticking of the clock movement via 24 speakers into the room. Special thanks to Elisabeth Grossmann, Junghans GmbH, and Suhrkamp Verlag.